Tuesday, October 21
Surge Quartet
[Chris Bré, gabby fluke-mogul, Keefe Jackson, Fred Lonberg-Holm]
Doors 7:30 pm, $12-$20 sliding scale
Four extraordinary musicians from the international improvisation scene come together for the first time in a unique quartet: gabby fluke-mogul (violin), Fred Lonberg-Holm (cello & electronics), Keefe Jackson (saxophones & clarinets), and Chris Bré (saxophones & clarinets) create a sonic world filled with spontaneity, energy, and unexpected turns.
Each musician brings a distinctive voice to the ensemble: fluke-mogul is a master of expressive textures on the violin, moving seamlessly between raw intensity and delicate nuances. Lonberg-Holm fuses his cello with electronics, expanding the instrument’s possibilities into uncharted sonic territory. Jackson is known for his powerful tone and melodic finesse, while Bré explores the depths of saxophone and clarinet with an ever-surprising sense of space and dynamics.
Without predefined structures or compositions, the music unfolds in the moment, ranging from fragile, intricate passages to explosive, high-energy interactions. It is a dialogue of tension, spontaneity, and boundless creativity, drawing the audience into an immersive and unpredictable experience.
Wednesday, October 22
Poetry reading by Aaron Fagan, Rachelle Rahmé, Zan de Parry, Chelsea Hogue
7:30 p.m.
7:30 p.m.
Trinosophes Projects is a 501(c)3 non-profit organization in the state of Michigan that supports live programming, exhibitions, research and publishing. We are an independent, artist-operated entity located in the city of Detroit. Contributed and earned income goes directly into the hands of the artists we work with, so if you appreciate our efforts, consider making a donation to support our ongoing mission. Click here for a Paypal link.
How does your support help? Your donations go directly to our programming, publishing, media manufacturing, archival work, artist commissioning, project collaborations and regranting in the form of artist prizes, awards and emergency assitance. While we prefer to operate mostly anonymously and we’re always hesitant to ask for financial support, we recognize that now more than ever our work is important to the cultral health of our community, both through supporting, highlighting and perserving our region’s cultural legacy and by keeping it in dialogue with devlopments in the rest of the country and the world.