Saturday, March 15
Skeeter Shelton’s Spectrum 2
featuring Ali Colding
Doors 7:30 pm | $10-$20 suggested at entry


We're excited to present the original version of Skeeter Shelton 's Spectrum 2 duo, featuring percussion great Ali Allan Colding. A veteran of groups with James Blood Ulmer, Kenn Cox, Fred Anderson, Charles Moore, Marcus Belgrave, Noah Howard, Faruq Z Bey and Hakim Jami, Ali often worked with Skeeter in those ensembles, but it's been about twenty years since they've reunited as Spectrum 2. The idiom of wind and drum duos has a long history, and this version of Spectrum 2 is one of few groups here today that has the depth and vitality to be a serious contributor to that cannon.  



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Saturday, April 12
Lucian Ban and Mat Maneri
Transylvanian Dance (ECM) Release Show
with photos and wax cylinders from the archive of Béla Bartók
Doors 7:30 pm | $16 advance or $20 at entry


On their second ECM duo album, Romanian pianist Lucian Ban and US violist Mat Maneri find fresh inspiration as they follow the trail of Béla Bartók, revisiting the folk music that spurred the imagination of the great Hungarian composer who, in the early 20th century, collected and transcribed numerous pieces from Transylvania. For the duo these songs have become “springboards and sources of melodic material” for arrangements “that capture the spirit of the original yet allow us to improvise and bring our own world to them. If you go deeper into the source material, new vistas open up. These folk songs teach us many things.” Recorded live in October 2022 in the context of the Retracing Bartók project in Timișoara, these performances also bear testimony to the finely attuned understanding that Lucian Ban and Mat Maneri have achieved in their long-running musical partnership.

Not only was Béla Bartók one of the greatest composers of the 20th century, but he also was the father of ethnomusicology as a comparative science (along with fellow composer and friend Zoltan Kodály). For this tour, Ban and Maneri are traveling with the original wax cylinder field-recordings that Bartók made in Transylvania at the dawn of the recording era in 1909-1917, as well as a player to listen to them with. They will also display photos of the field recording expeditions from Bartók's personal archive.






Monday, April 14
Brìghde Chaimbeul
Viands
Doors 7:30 pm | $12 in advance or $15 at entry


Brìghde Chaimbeul (Scotland) is a leading purveyor of experimental Celtic music and the Scottish smallpipes; a bellows-powered set of bagpipes with a double-note drone. She has devised a completely unique way of arranging for pipe music that emphasises the rich textural drones of the instrument. The constancy of sound that creates a trance-like atmosphere, played with enticing liquidity. Her most recent album Carry Them With Us features close collaborations with Ann Arbor native and Motreal-based saxophonist Colin Stetson. She also featured on Caroline Polacheck’s 2023 album and soundtracked the 2025 Dior Cruise. New album due on Glitterbeat Records in 2025.

Collaborative synth duo Viands create improvised soundscapes using mostly archaic synths and electronic keyboards. Merging minimalist textures with florid melodies and abstract settings, they evoke classic electronic music of the past, without directly referencing any of it. Patterning tends to be created by the humans and the machines are often left unhinged to a metronome or sequence. Viands has two LPs on the Midwich and Two Room labels. This is only their second performance since Covid.
Photo credit Jelmer De Haas






Tuesday, May 13
TAKAAT (of Mdou Moctar)
Doors 7: 30 pm | $15 in advance or $18 at entry


TAKAAT (pronounced tuh-cot), meaning “noise” in the Tuareg language Tamashek, is the trio of Ahmoudou Madassane, Mikey Coltun, and Souleymane Ibrahim, also known as the rhythm section of Mdou Moctar. TAKAAT is sonic chaos, improvisation, freedom of exploration, and the punk styles of bands such as Fugazi and Unwound, all mixed together with the guitar music from the Sahel.

TAKAAT started during soundchecks while on the road with Mdou Moctar when the trio indulged their shared love for amps cranked to 11 and the sound of blown out speakers. Towards the end of 2023, the three started writing music together, inspired by their shared experiences with the sounds and energy of Hausa bar bands, gritty soukous, and 2000s post-punk. The music of TAKAAT is intense, dark, and energetic. Deeply inspired by the DIY ethos of punk, Ahmoudou, Mikey, and Souleymane capture that thrill of the new and the ecstasy of togetherness in these heavy rockers. TAKAAT follows in the spirit of the independent music culture that birthed hardcore basement shows, bedroom tape labels, and generator-powered pick-up wedding bands. 

Is Noise Vol. 1 (10”) EP was recorded on a cold winter day in Washington, D.C by engineer, bass player, and producer Mikey Coltun direct to ½” tape. The band set up, took a short tea break, and banged out the four tunes in one take. Very little editing was done. The record is as raw as the way the EP was recorded. All songs written by Alhassane Gajil and Ahmoudou Madassane except Ishumar written by Hasso Akotey. All songs arranged by TAKAAT.
Photo credit Amghy Chacon and Cem Misirlioglu.



Trinosophes Projects is a 501(c)3 non-profit organization in the state of Michigan that supports live programming, exhibitions, research and publishing. We are an independent, artist-operated entity located in the city of Detroit. Contributed and earned income goes directly into the hands of the artists we work with, so if you appreciate our efforts, consider making a donation to support our ongoing mission. Click here for a Paypal link. 



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